Jogger Los Angeles Welcomes Creative Director Andy Brown
Creative Director Andy Brown has joined Jogger’s Western US office, from London. Andy led the development of Jogger London, with artistic contribution and leadership on such noted projects as the stage visuals for U2’s “The Joshua Tree Tour 2017,” and chart-topping music videos for Bloc Party, The Kooks, Charli XCX, Texas and Laura Mvula. In the branded space, Brown’s numerous credits include the multi award-winning ADOT PSA “Homeless Lights” via Ogilvy & Mather, as well as advertising projects for Adidas, Cadbury, Valentino, Glenmorangie, Agent Provocateur, Northwestern Mutual, La-Z-Boy and more. He’s also been involved in post and effects for short films such as “Foot in Mouth”, “Containment” and “Daisy” as well as movie title sequences (with The Morrison Studio), including “Jupiter Ascending,” “Collide,” “The Ones Below” and “Ronaldo.”
“Andy has such a wealth of experience in managing our sister VFX company in London along with his talents as a Creative Director,” notes Cut+Run Managing Partner Michelle Eskin. “This is a perfect opportunity for him to expand his role and further enhance our clients’ experience at Jogger.”
“This move is an incredible opportunity to work even more closely with my colleagues and friends in the US and to blend the experiences I’ve had with the vantage point of another richly creative community,” says Brown.
Andy Brown got his start in the industry at MPC, where he worked for six years eventually assuming the role of Digital Online Editor. He then went on to work in senior VFX roles at many of London’s top post-production companies, before assuming Head of VFX at One Post. Following One Post’s merger with Rushes, Andy founded his own company Four Walls, establishing the company’s reputation for creative visual effects and finishing. Andy oversaw Four Walls’ merger with LA’s Jogger Studios in 2016. Andy has since helped form interconnections with Jogger’s teams in London, New York, Los Angeles, San Francisco and Austin, with high-end VFX, motion graphics and color grading carried out on projects globally.
“Jogger is fortunate to have somebody of Andy’s knowledge and talent cross the pond to work with us,” comments editor Steve Gandolfi. “His experience – both with our company and with clients of all kinds – enhances our ongoing emphasis on developing a trusted, personal relationship with our clients.”